This is another drawing I did for the #Tekenuurtje challenge on Instagram. I thought the angles and weight of the pose would provide me with a suitable challenge and they really did. I did a lot of fussing over the legs in particular. However, I think I actually rose to the challenge as I believe I have everything looking “right” in the end. The proportions are not spot on but it wouldn’t be my style if things weren’t at least a little awry. I cannot find a way to link to the original photo so you can click a link to my Instagram post and swipe to see the source image.
This is the penultimate page in my Rainbow Art Journal. I am almost there! As I so often do, I decided to draw a female figure with a circular disc in the background but this time I drew several discs so that they could form circular bands, one for each colour of the simplified rainbow (purple in place of indigo and violet). Don’t judge my geometry skills: I do not own a compass so I traced the red circle and then eyeballed the other rings from there. There are definite flaws in this piece and things I would do-over but, even with those and the wobbly not-concentric circles, I am pretty pleased with this illustration. So much so, indeed, that I rather wish this was the final page in the art journal because I have a suspicion my final drawing will not be up to snuff.
I recently drew Boris Karloff as The Mummy and I found it so relaxing to draw all of those wrappings that I felt the impulse to draw another mummy. As I had hoped, it was indeed calming and enjoyable to draw all of those overlapping and dangling bandages. Maybe drawing monsters is my meditation? Anyway, I am pleased with the final drawing. Sure, the head is way too big and the other proportions are also awry but she’s a monster and those can be a bit wonky. My style may actually be apt for this subject.
I don’t have a LinkedIn account but, if I did, I could possibly list as one of my skills “Draws creepy eyed children from yesteryear with proportions that are wonky to an often unsettling degree”. I did a whole series of drawings based on vintage photographs last year and most had wack proportions and many were bobbleheaded. Apparently I have experienced zero growth since completing that series because this pair of sisters might be the most big-headed figures yet. I don’t mind. I had fun drawing them, which is the main thing, and they make me laugh. The girls in the photograph I used for this illustration were holding baskets of flowers in their hands but I eliminated those from my drawing. Incidentally, this was drawn on the reverse of a very crinkly page so has not photographed at all well. It will flatten out over time because of the weight of the book.
As a wee girl with limited access to TV and only a couple of channels available when I did have the opportunity, I would consume whatever happened to be on. Often that meant showings of vintage movies and reruns of comedies from the silent era. As such, I developed a real love of the vaudeville, physical antics of actors like Harold Lloyd and Buster Keaton. I don’t think I have ever drawn Buster Keaton so I decided to have a crack at depicting him in this grey section of my Rainbow Art Journal. I wanted to capture his deadpan expression and those large eyes that convey so much. While I normally fill the background with a disc or random shape, I chose to draw a very simplified house shape as a nod to Keaton’s famous stunt whereby the front of a house collapses on him. As a first ever attempt at drawing Buster Keaton, I am pretty happy with how this illustration turned out.
This illustration actually started off as a depiction of someone being sucked up in a beam of light. Think UFOs and alien abduction. As the drawing progressed, however, I decided that the figure was actually doing the opposite and was falling. The negative space was, therefore, a tunnel or pit rather than a beam of propulsive light. This was another “short on time” day which necessitated me painting only a single layer of watercolour. As such, the black “tunnel” edges of the composition are very patchy. They would certainly benefit from additional layers of pigment to make the black richer and more dense. As much as that uneven, mottled quality bothers me, I am trying to convince myself that the scrubbiness works to suggest some kind of rough textured surface, such as packed dirt. That’s me attempting to hush my Inner Critic. It has not photographed well but the spatter – used to suggest disturbed debris – is two shades of gold watercolour.
With a busy day ahead of me but still determined to keep up with my almost-daily art habit, I figured one solution would be to work in monochrome and with a single layer of watercolour. I, therefore, mixed some grey paint at different dilutions and used my ink pens to create a slightly wider range of tones through mark making. It’s a very simple drawing but I am glad I made the time to create it.
This illustration is based on a photo shared as part of the #Tekenuurtje challenge on Instagram. I was drawn to the billowing, triangular shape of the clothing and the polka dots. I really enjoyed working on this illustration and found painting all of those polka dots very meditative.
*The only way I can figure out to share the original image is via the post on my Instagram account where swiping will take you to the source photo.
If you have followed either this blog or my art blog for long enough, you will know that I love classic movie monsters. I draw them fairly regularly – especially during spooky season – but I realized it had been quite a while since I had drawn the Boris Karloff performance as Imhotep, the titular Mummy. I had a great deal of fun drawing the wonky proportions of the figure and I am really happy with the finished illustration.
In 2019, I completed a sketchbook containing fairytale characters. It is a subject I enjoy but I have not really returned to since that project. I, therefore, decided to draw Rapunzel in my Rainbow Art Journal. I chose Rapunzel because, as you may have observed, I love drawing hair because of all the pattern and line work. This Rapunzel is definitely a bit scruffy, maybe dealing with a bit of bed hair. The disc behind the figure is metallic bronze but has not photographed particularly well.