In an effort to get back into the habit of blogging more regularly, I thought I would write about some pages in my Rainbow Art Journal that were created eons ago. I am also hopeful that writing about my art might inspire me to start experimenting with art supplies in my art journal again and that these tinkerings might get me back into the habit of making time for art.
This page in the blue section of the journal was actually created all the way back in August of 2018 with supplies from that month’s Art Snacks box. It is very puddly and splodgy and full of watery blooms in the blue areas. If I was working on this illustration now, I would probably add another layer of the blue to make it darker, richer, and flatten out some that visual texture.
This blog has gone a little dormant generally. What with the pandemic and all, I just have not been up to enough in my life that generates blog fodder. This blog has, however, gone especially quiet when it comes to my art dabbling. That is not for the lack of art in my life, however. On the contrary, I have been drawing near daily since June. I have been sharing the results of a personal challenge (illustrations of vintage photos) and now Drawlloween drawings over on my blog that is dedicated to only art. Since all of my art time has been invested in those projects, art journaling has been placed so much on the back burner that it is stone cold. While I intend to take a break from daily drawing, I am going to return to art journaling in order to keep up with regular practice and stop those creative gears seizing up from rust.
Draw This in Your Style (DTIYS) challenges on Instagram seemed like a good way to get back into playing around and experimenting in my art journal. The subject matter and composition is all set for me so I just need to – like it says on the tin – draw it in my style. I thought I would have a crack at a recent art work by Behemot titled “Pale Girl and Very Suspicious Cat”, not least because the monochromatic palette appealed to me aesthetically and in terms of time management. I am pleased with my version of the Pale Girl. I think my illustration shares DNA with the original but is very clearly my style. It is a fun challenge to translate digital art into analogue so I am going to seek out a few more of those I think.
I have accidentally established a tradition in my Rainbow Art Journal whereby each colour section contains an illustration of some kind of sprite-like creature. For the blue section, I was thinking of water. I drew a figure who is drenched in water (or, as I would say in Scots, “drookit”), her body morphing into a puddle on the floor, her hair dripping across her face.
Another completed page in the blue section of my Rainbow Art Journal. This one was easy to finish up because I actually drew the original in March of 2020 – which feels like years ago now – in response to an Art Snacks challenge. I had drawn it in the blue section of the art journal thinking the media I had received were, well, much more blue than they turned out to be. They were far too green and it was annoying me that I had misjudged the colours and stuffed up the colour theme in the sketchbook. I had, therefore, walked away from it for a while – which turned out to be a long while – to come up with a solution. I was so annoyed with myself initially that I considered covering up the whole thing and starting over with essentially a new substrate but I loved that graphite watercolour and the way it had dried in puddles far too much to cover that up. My solution in the end was a quick and easy one so I could call this page “done” and move on: I simply layered some blue ink washes over some of the most green areas of the illustration to knock them back. It is definitely a blue-green piece but that’s acceptable to me.
All of my art time lately has been funneled towards my Star Wars challenge. It is always good to have a break from things, however, so I opened up my art journal and decided to create something using the supplies from my July Art Snacks box. I received two Kurteake watercolour pans in a dark grey with hints of indigo and a sort of citrus chartreuse and a Daniel Smith watercolour stick in vermilion so I basically had a slight twist on the three primary colours. The lime-yellow-chartreuse immediately made me think of a raincoat I had when I was very wee and then I thought about how the grey-blue was reminiscent of heavy rain clouds on a stormy day. That, therefore, gave me the theme for my illustration.
Incidentally, I painted this while I was on a lengthy phone call – having done the drawing earlier – so how is that for multitasking in order to ensure I still got my art time?
As in so many of Greek myths, Daphne’s is the story of a woman victimised by a man and ultimately punished by the patriarchy. Essentially poor Daphne was used by Eros to curse Apollo, one of Cupid’s arrows having created his obsessive infatuation with the naiad Daphne. An arrow fired at her ensured that she would always flee Apollo. Therefore, poor Daphne was basically stalked by Apollo, which effectively means she was being punished for no reason. In order to escape Apollo’s sexual violence, Daphne pleaded with her father, a river god, and his solution was to transform her into a laurel tree. Daphne, treated like an object by these male gods, was therefore rendered completely and utterly passive – so much so, in fact, the Apollo ended up possessing the laurel as his special tree. Ugh.
Anyway, still plodding on through the green section of my Rainbow Art Journal, I decided to illustrate Daphne’s tragic story. I wanted to communicate something of the violence of her situation and of her transformation while also suggesting something of the fact she was forced to become even more passive.
I just realised I had never written a blog post for this illustration in my Rainbow Art Journal. My entire county is, as of last Friday, under lockdown for at least the next two weeks because of the Covid 19 outbreak. My kids are, therefore, home from school and, as a teacher, I am obviously off work. I, therefore, thought I would return to working on this project and I found this page. Maybe I had considered it unfinished and was expecting to return to it. I am calling it done.
Anyway, this is a quick little ink and watercolour illustration I knocked out in response to the prompt “Relax” in the Art Journal Adventure group. I drew it a few days before Christmas so I was pretty much the opposite of relaxed. I thought about where my “happy place” is. I am not very good at getting into a zen headspace when doing yoga but, when I am in shavasana pose with my eyes closed, I often think about being in the woods, among the trees, smelling the leaves and moss. So I drew myself lying in a pile of leaves. You may spot a good few little insects among the leaves too.
This page in the green section of my Rainbow Art Journal was created in response to an Art Snacks challenge. I actually painted it all the way back in April 2018. At the time, thought I might add more to it but, given I did not, I am considering it done. All the green is ink used at different levels of dilution and the orange is a watercolour pencil. Green and orange are among my least used colours but I actually quite like the combination of the two here.
For the first page in the fully green section of my Rainbow Art Journal (as opposed to the transition page) I wanted to work entirely in green (excepting a little black ink). I, therefore, decided to draw one of my sprite figures. I have a fondness for moss so decided my illustration would depict a moss sprite. I also used it as an experiment in layering my green watercolour paints. For the body I used a wet-in-wet technique and as such achieved lots of blossoms and pigment blooms where the different greens puddled and met each other. For the hair, I allowed a layer to completely dry before I added the next layer of paint.
I have not opened any of my art journals for a while so I thought I would crack one open and have a dabble. I decided to draw one of my favourite figures from sideshow history, the Pig Faced Lady of Manchester Square (spoiler alert: actually a shaved bear). I have drawn her before, including in an art journal page from back in 2015, but I decided to go a bit more cute and whimsical for this version. I regret that decision now and actually wish I had gone darker and more grotesque with it. I feel very meh about this illustration but it’s on a random (and crinkly) page in my art journal so that doesn’t matter. Next Pig Faced Lady will be creepier though.