Last week’s Art Journal Adventure prompt was “outward from the centre”. I initially had a much more complex and time consuming idea in mind but it took me over a week to even get the chance to open my art journal so I decided to ditch that idea and produce a simple illustration in ink and watercolour instead. I drew a figure – somewhat inspired by Lady Rainicorn from ‘Adventure Time’ – by taking the prompt literally and starting at the centre and working my way outwards in a spiral. Then it was simply a case of filling in the figure with watercolour and drawing in the details using black ink.
I have had an exhausting week, physically and mentally. Being crazily busy is my norm but this week has been beyond the norm. I almost fell asleep on the sofa one afternoon. Whenever everyday life gets a bit overwhelming, I know I have to try and scratch out some art time as a way to find balance and decompress. That is why I decided to tackle this week’s Life Book lesson. This week’s lesson was taken by Annie Hamman. I have viewed and responded to a few art lessons taken by Hamman by this stage in my exploration of mixed media and I decided some time ago that her style of painting, her technique, was not something that was going to work for me. I want to hone and develop my own style of art, after all, so pushing myself to try a mode of painting that prevents me from achieving that goal makes no sense. I, therefore, pick and choose elements from the lesson that I can utilise for pushing my own creativity while ignoring the aspects like layering paint with a palette knife.
When I thought of a figure who was serene and peaceful, I thought of one whose arms were crossed because she was not busy doing something. Hands at rest. In my busy week, idle hands would definitely be a luxury. The female figure I painted ended up looking a bit huffy because of the pose but that doesn’t matter to me because I know what made me choose that position for the hands. I tried to keep the colour palette light and pale to suggest calm. The finished piece makes me think of my Twilight Garden painting from last year. I take that as a good sign that I am developing my own style – or at least one of many of my styles.
Last week’s Life Book lesson was taken by Connie Solera. It was a bit too “art as therapy” for my personal taste but I was inspired by the imagery of the painting Solera demonstrated and decided to create my own twist on the idea, moulding the lesson to fit my own style. There are many layers in this mixed media painting, more layers than I typically work with, but I enjoyed switching between the chaotic looseness of the background and the more tight illustration of the female figure curled up inside a pod shape in the centre, even if it probably makes the piece visually unbalanced.
It’s been ages since I completed a page in my Rainbow Art Journal. I think perhaps I have over-stretched myself when it comes to art projects as I just never seem to get near this particular art journal. This particular page sat half-finished at ugly carbuncle stage for ages. I just wasn’t inspired to work on it when I did have extra free time because the page was a raging hot mess. However, a couple of days ago I forced myself to return to this page and complete it. I pushed through. It is never going to be my favourite page – it was really an experiment in combining red and purple – but it is a lot better than where it was headed so I at least feel like I have saved it. Best of all, now I feel like I have eradicated that page as a creative mental block.
I turned another page in my Rainbow Art Journal and decided to do another two page spread. I am still in the red section of my journal and thought of poppies. I didn’t want to use a monochromatic palette so decided to incorporate some grey and green too but I probably used too much of those and not enough red in the end. Not being very adept at painting flowers, I created the poppy blooms from clippings from magazine pages collaged onto the background. I am pleased with how the hands turned out but otherwise I think this is one of the “blah” pages in my art journal.
I generally try to make do with the art materials I already own but a couple of months ago, armed with a 60% off coupon and a Michael’s gift card, I had a bit of a splurge. I thought I could indulge myself since I was paying next to nothing from my own coffers so I bought a set of Dr Ph Martin’s Hydrus watercolours and a pack of Jane Davenport Mermaid Markers. I had been coveting the Hydrus watercolours for a while. Since I like to use liquid media very wet but also like the pigment to be punchy and bold, I had a feeling the concentrated watercolours would really appeal to me. The Mermaid Markers were new to the market but I thought they might make for a good portable art supply and treated myself to them too.
Despite being a hyper organised control freak, I am not one of those people who makes up palette cards for each medium they own. I tell myself I will make time to do it and yet somehow I just never do. I did, however, think that my Rainbow Art Journal might be just the place to make a record of some of my media and what the colours look like on paper. This page in the red section of my Rainbow Art Journal is the first of these. The product name of the Mermaid Markers initially gave me the idea to illustrate a mermaid; however, I had just been listening to Stravinsky’s Firebird the day before so I decided to draw a sort of harpy, woman-phoenix hybrid, using the markers and some of the Hydrus paints. I worked quickly and loosely as a challenge to myself and because I really wanted to focus on playing with the media. The mermaid marker is super juicy and richly pigmented. If all the other colours are the same then I can definitely see those being a handy portable art resource. The Lobster colour is a bold primary red so I used a lot of that in this illustration. The hydrus colours added a bit more variety as the cadmium was a red leaning towards orange and the rose had a little blue in it I think to make it more purplish. The three reds, therefore, provided me with enough variety on this page that I did not feel the need to add any other media except for a little black ink for details such as the face and the talon fingers.
Frequent readers of this blog will know that I really do enjoy a bit of spatter in my art work so I was very happy to learn that spatter was the basis of this week’s Life Book lesson. The lesson was taken by Mandy Van Goeije and was about starting loose and abstract and then finding some form within that abstraction to turn into an illustration, generating text to support that illustration, and layering watercolour and other media on top of a splattery, puddly watercolour background.
I decided to use the primary colours for my spatter because it was what was demonstrated in the tutorial and because I recognised that it was a palette that I don’t often use. I often add spatter at some stage in my art work but it was a twist on things to actually use the spatter as the starting point. I am not someone who tends to get creatively blocked because of having a blank page but I imagine this is a good way to get past that problem.
Once I had the spattery layer, I had to look for shapes and forms within it that suggested the starting point for an illustration. It is human nature to see facial features in inanimate objects (a quick google told me it is called “pareidolia”) and it is something I certainly do. When looking at my spattery layer, however, the form I saw emerge was a human figure – a tilted head surrounded by red hair and, in the negative space – upraised arms and hands. I think my brain determining I would see a human figure is probably an extension of the same phenomenon that has people seeing faces. When coming up with the story element of my art work and the text, I decided my figure should be the Muse of Spatter and wrote “The Muse of Spatter dances wherever she pleases and creates from chaos” as I felt that basically encapsulated the theme of the lesson and what I created as a result of it.