My final Art Journal Adventure prompt for 2017 was “Endings and Beginnings”, obviously an apt subject for the turn of the year. This year there will be no page in my art journal that sets an inspirational, aspirational or encouraging word to focus on, no listing of goals, nothing like that. I have never been one for setting resolutions but I have previously fallen prey to setting myself goals. I am increasingly failing to achieve (m)any of the goals I set for myself. Apart from participating in and completing a set of drawings for Inktober, I achieved not a single one of my goals for 2017. Not. A. One. In fact, I still have a goal for 2016 that I did not complete in either that year or last year. So my sole goal for this year is to not set myself up for failure.
Therefore, my turn of the year art journal page is neither about reflecting on the year past or looking ahead to what 2018 might have in store for me. Instead, I chose to focus on the theme of beginnings and endings, of cycles of time, of opposites, of cusps, alpha and omega. This is what I came up with: two figures in a composition that has echoes of yin and yang without the required geometric precision. Once the figures were dry, I decided to unify them in some way and plumped for writing. I defaulted to my own handwriting, albeit a little higgledy-piggledy, for the phrase “Alpha & Omega” but I think my own handwriting works effectively enough in this piece.
This week’s Art Journal Adventure prompt was “opposites”. I ran through a lot of ideas in my head before choosing to depict Night and Day as female figures. This was something I had tried before in my Rainbow Art Journal but I had not been satisfied with the result. This was an opportunity to revisit the subject and hopefully accomplish a better outcome. Whereas before I had worked across two pages, this time I confined the composition to a single page. To further enhance the concept of opposites, I placed the figures top to tail as I knew I had liked that composition when I used it in my most recent Red Riding Hood page.
To create a bit more visual interest to the page, I adhered some collage materials as a first layer and ensured that those still showed through subsequent layers in places. While the composition and colour scheme places the Night and Day figures in opposition to each other, I also wanted to connect them, because they are cyclical, so I drew their hair swirling into the sector of the other and had the metallic dots sweep across the diagonal dividing line in places.
Last week’s Life Book lesson was taken by Tamara Laporte and involved drawing two figures. I had not gotten around to working on Life Book lessons for a few weeks so I was keen to tackle this one over the weekend. I find drawing more than one figure in a piece to be fairly challenging because of the need to make them cohere and keep proportions and angles of light consistent. That was another good reason to complete the lesson. I had to improvise a lot with the lesson because I don’t own the markers that Laporte demonstrated. I, therefore, used ink and watercolour instead. I tried to stay true to one of the focal points of the lesson, however, by working on creating a range of skin tones. This is a skill I definitely still need to develop but I was nevertheless reasonably pleased with the flesh tones I created in this piece because at least I avoided making them too sallow or adding too much ochre.
I actually managed to complete an art lesson this week. I worked on this in stages while cooking dinner over several evenings so I am glad it was a project that allowed me to break it down to that extent. The phased stages mean that I for once thought to take some process photos. The lesson was for Let’s Face It and was taken by Angela Kennedy. The idea was to paint a trio of female figures interlinking or interlocking in some way, subtly different but cohering through use of the media. I used ink and watercolour only because that was what I had easily to hand and those are the media I work most quickly with. Instead of adding detail to the figures’ clothing, I sprinkled salt on to create some interest. I think that also helps maintain focus on the faces. I have two sisters (and a bundle of brothers) but I don’t know that this trio are three sisters together. Maybe three witches ready for Halloween.