If you happen to follow me on Instagram, you will have seen this illustration as my response to this month’s Art Snacks challenge. I received two red products in the box this month and that immediately inspired me to draw a Ladybug Woman. I drew it on a sample pack of watercolour paper, also in the box, which means it is in that narrow format that I used recently for my Frankenstein’s Monster. I am enjoying working in this restrictive space as it really forces me to be creative with my composition.
I had not done much in my Rainbow Art Journal since March so I decided to use some free time to start and finish a page in one sitting. I turned to a blank page in the orange sector, got out some orange drawing ink and some black India ink, a pot of water, and got to work. My intention had been to keep things loose because that is something I find to be challenging. I started out well and it is possible to detect the areas where I let the ink puddle and run and dribble. I struggle with abstraction because I don’t know how to balance the elements and create focus so I decided I would carve a figure out of the ink. Of course, inevitably, I ended up with a too tight illustration as a result. Fail! Ugh. Maybe I should just give up trying to work in a loose, uninhibited, less intentional way.
Have I mentioned (more than a zillion times?) that I am over Winter and yearning for Spring? A couple of weeks ago, I saw a rabbit bound across my yard and I thought that was a sure sign. Turns out that bunny was just a dimwit who needed to stay in his burrow a bit longer. I also noted that our daffodils were sprouting out of the dirt. That was another hopeful sign. Then the shoots got buried under a foot of snow. Spring has to be soon though. It has to.
My latest art journal page was, therefore, inspired by thoughts of Spring. The Art Journal Adventure prompt was S which fitted perfectly with my intention of creating a Spring themed art journal page. The idea is a personification of Spring waking from a slumber and starting to bloom. I must confess that this was a far better idea in my head than translated on the page. I had to work in a whole load of small rations of time which certainly did not help in terms of cohesion and the fact that I rushed through some of the elements is very visible. I like the idea, however, and might return to it when I have more time to accomplish a better execution. I will state that my art work is perfectly straight – it is my iphone photography that is squint.
This art journal page was really an exploration of ways to create visual texture. My inspiration was a painting I did for Life Book last year because I like the visual imagery of flame and ash. I actually thought to take progress shots of this art journal page so I can show the different stages of its creation. I started with a really simple line drawing.
To create the background texture, I scraped some orange paint onto the page with an old hotel room card. I then used that same card to lift up some of the paint from the page so that it created some texture, sort of feathering and ripples. To create the texture on the torso, I painted it black and then layered some red paint over the top. Before the red paint had fully dried, I pressed down some damp paper onto the surface so that it lifted up some of the paint and created a visual texture that I hoped would be reminiscent of charring.
The final element of visual texture was my old friend spatter. I spattered some black and red paint to create the idea of ash and embers floating upwards from the flames.
I liked the effect of all of the techniques I used in this page. It might be a bit much that I used them all at once but maybe it works for my thematic purposes. I am definitely pleased that the finished page still resembles my initial sketch as that has not always been the case.
Maybe it was because I recently collaged a lobster into an art journal page or maybe it is my fondness for all things monstrous, but the next subject in my Rainbow Art Journal turned out to be a Lobster Girl. It’s the page where I am transitioning between red and orange so I guess that combination of colours sparked my imagination and set it off in that direction. Whatever the inspiration, when I put pencil to paper, this was the illustration that emerged.
Someone asked me recently if I ever return to past works and have another stab at them in order to apply sharpened skills or a more developed style. I do return time and again to certain subjects – zombies, Red Riding Hood, skeletal elements, mythology – but I don’t generally have another crack at a past artwork. I thought, however, that maybe it could be an interesting exercise to take a few works in a medium I am more comfortable with -namely ink and watercolour – and try depicting the exact same subject using mixed media. I decided to use some of my illustrations from my 100 Faces challenge.
First up for the experiment was my 85th drawing in the series, which I had titled “Confidence”. I chose it largely because I was working in the red section of my Rainbow Art Journal and I had remembered how much I liked the effect of the bold red ink pooling and puddling. I also chose it because it was an illustration I actually really liked in the series. I lost the more diagonal composition, which I definitely prefer, and I think the new version of the face looks more sullen and bored than confident. I am also not happy with that busy, blotchy background and may paint that out at some stage. However, as first experiments go, it is not such a failure that I will abandon the whole enterprise. Not just yet anyway.
Since visiting two of Edgar Allan Poe’s former houses recently, I wanted to include something Poe-inspired in my Rainbow Art Journal. So, still focusing on the red section, I decided to create a page inspired by the story ‘The Masque of the Red Death’. I enjoy working with a limited colour palette and that was true of this page which is restricted to just red, black, and white. You may have noted that I also return fairly regularly to the subject of skulls and skeletons. I don’t think I am generally a macabre person; I just find that sort of thing fascinating. I am fairly pleased with how this page turned out. It was a struggle to maintain the proportions across the two pages and ultimately I failed to do so but I think the illustration still works. Just. I use spiral bound journals for convenience but they definitely hinder my ability with double page spreads, that’s for sure. Still, I like the finished pages enough that I may use them as inspiration for a proper painting at some stage.