This is the penultimate page in my Rainbow Art Journal. I am almost there! As I so often do, I decided to draw a female figure with a circular disc in the background but this time I drew several discs so that they could form circular bands, one for each colour of the simplified rainbow (purple in place of indigo and violet). Don’t judge my geometry skills: I do not own a compass so I traced the red circle and then eyeballed the other rings from there. There are definite flaws in this piece and things I would do-over but, even with those and the wobbly not-concentric circles, I am pretty pleased with this illustration. So much so, indeed, that I rather wish this was the final page in the art journal because I have a suspicion my final drawing will not be up to snuff.
I am excited by the fact of only having a few pages left in this Rainbow Art Journal. I feel like I have been pootling around in this particular art journal for so many years. Too many years. I have completed countless other art journals and art projects within that time frame but this one was malingering because I kept putting it back down as many times as I picked it up. I made it one of my goals for this Summer to just power through and almost exclusively work in this art journal so that I could finally complete it and file it away. I, therefore, feel a sense of achievement already that there are only a few pages left. I have decided that these final pages should be dedicated to all of the colours combined. Rainbows to the finish line.
This illustration is another Draw This In Your Style challenge. This one is based on an original character created by a very young artist named Myla. One of her characters is Gay Mothman who just makes me smile every time she shares artwork featuring him. I love cryptids and his rainbow garb suited my needs for this particular section of my art journal so I thought I would – as the challenge suggests – draw him in my style. After working in neutrals for a while, it was so much fun to splash all of those colours around.
I recently drew Boris Karloff as The Mummy and I found it so relaxing to draw all of those wrappings that I felt the impulse to draw another mummy. As I had hoped, it was indeed calming and enjoyable to draw all of those overlapping and dangling bandages. Maybe drawing monsters is my meditation? Anyway, I am pleased with the final drawing. Sure, the head is way too big and the other proportions are also awry but she’s a monster and those can be a bit wonky. My style may actually be apt for this subject.
I don’t have a LinkedIn account but, if I did, I could possibly list as one of my skills “Draws creepy eyed children from yesteryear with proportions that are wonky to an often unsettling degree”. I did a whole series of drawings based on vintage photographs last year and most had wack proportions and many were bobbleheaded. Apparently I have experienced zero growth since completing that series because this pair of sisters might be the most big-headed figures yet. I don’t mind. I had fun drawing them, which is the main thing, and they make me laugh. The girls in the photograph I used for this illustration were holding baskets of flowers in their hands but I eliminated those from my drawing. Incidentally, this was drawn on the reverse of a very crinkly page so has not photographed at all well. It will flatten out over time because of the weight of the book.
As a wee girl with limited access to TV and only a couple of channels available when I did have the opportunity, I would consume whatever happened to be on. Often that meant showings of vintage movies and reruns of comedies from the silent era. As such, I developed a real love of the vaudeville, physical antics of actors like Harold Lloyd and Buster Keaton. I don’t think I have ever drawn Buster Keaton so I decided to have a crack at depicting him in this grey section of my Rainbow Art Journal. I wanted to capture his deadpan expression and those large eyes that convey so much. While I normally fill the background with a disc or random shape, I chose to draw a very simplified house shape as a nod to Keaton’s famous stunt whereby the front of a house collapses on him. As a first ever attempt at drawing Buster Keaton, I am pretty happy with how this illustration turned out.
Another Sprite for the series contained within this Rainbow Art Journal. This one is a stone sprite. I imagined her body being constructed from piles of stones, like a cairn, just like the small one I drew balanced on her hand. I added in some craggy shapes, like split rock, to offset all of the curves, but I think I like all the rounded shapes better. What do you think? I have struggled to use Daniel Smith Lunar Black effectively to really make the most of its wonderful granulation. I am, therefore, especially chuffed with how that paint choice has worked out in this illustration. I really think that visual texture adds so much to this drawing.
This illustration actually started off as a depiction of someone being sucked up in a beam of light. Think UFOs and alien abduction. As the drawing progressed, however, I decided that the figure was actually doing the opposite and was falling. The negative space was, therefore, a tunnel or pit rather than a beam of propulsive light. This was another “short on time” day which necessitated me painting only a single layer of watercolour. As such, the black “tunnel” edges of the composition are very patchy. They would certainly benefit from additional layers of pigment to make the black richer and more dense. As much as that uneven, mottled quality bothers me, I am trying to convince myself that the scrubbiness works to suggest some kind of rough textured surface, such as packed dirt. That’s me attempting to hush my Inner Critic. It has not photographed well but the spatter – used to suggest disturbed debris – is two shades of gold watercolour.
With a busy day ahead of me but still determined to keep up with my almost-daily art habit, I figured one solution would be to work in monochrome and with a single layer of watercolour. I, therefore, mixed some grey paint at different dilutions and used my ink pens to create a slightly wider range of tones through mark making. It’s a very simple drawing but I am glad I made the time to create it.
My intention, as a set forth on this drawing, was to create an illustration of the Maschinenmensch from Fritz Lang’s ‘Metropolis’. However, as I went along, I departed from the character design and ended up with a more generic feminine robot. There are still elements of False Maria in there, mainly in the torso, but I will have to have another attempt at drawing Maschinenmensch at a time when I am more capable of focusing on details. This has not photographed well in the bright sunlight of a summer heat wave but the robot figure is painted in Rembrandt graphite watercolour so is very densely metallic and shimmery. What looks patchy, therefore, is actually just the way the camera is picking up the sheen. Also, while the eyes look blank white, they actually have silver irises.
This is another one of those pre-pandemic “vintage” pages in my art journal. I produced this illustration while chatting with other local artists at a meet up in a coffee shop. Feels like a different time. Anyway, I had this page that was just covered in leftover white acrylic paint and all I had with me were my travel art supplies so I pulled out a black Inktense pencil and set to work drawing something. One of the things I find beneficial about my art time is that it is just me and the paper and the materials and no other distractions. It is very calming in that way. Conversing with other people while trying to create, therefore, is a challenge for me as I get distracted. One of my solutions is to draw something so familiar to me that I really don’t have to give the illustration that much of my focus. Classic movie monsters being one of my go tos, the Bride of Frankenstein was the subject for his particular day. It’s very simple but sometimes that is what is called for.