This week’s Art Journal Adventure prompt was “opposites”. I ran through a lot of ideas in my head before choosing to depict Night and Day as female figures. This was something I had tried before in my Rainbow Art Journal but I had not been satisfied with the result. This was an opportunity to revisit the subject and hopefully accomplish a better outcome. Whereas before I had worked across two pages, this time I confined the composition to a single page. To further enhance the concept of opposites, I placed the figures top to tail as I knew I had liked that composition when I used it in my most recent Red Riding Hood page.
To create a bit more visual interest to the page, I adhered some collage materials as a first layer and ensured that those still showed through subsequent layers in places. While the composition and colour scheme places the Night and Day figures in opposition to each other, I also wanted to connect them, because they are cyclical, so I drew their hair swirling into the sector of the other and had the metallic dots sweep across the diagonal dividing line in places.
This week’s Art Journal Adventure prompt was to use a brayer or similar tool to apply paint to the page. I already had an idea for a page I wanted to create so I grabbed colours I thought would work well – grey, back, and pink – and scraped them across the page. I then added some white spatter largely because I love spatter but also because I thought it might suggest snowfall.
I had been reading National Geographic magazine and spotted a trio of portraits of Japanese macaques. Their little faces really pulled me in so I knew I wanted to use them in an art journal page. I stacked them up like a totem and glued them down.
My personal challenge with this page was to try and disguise the edges of the magazine paper, make it look less “collaged” once I painted over it. I, therefore, applied some thick matte medium over the top of the collaged photographs. Painting over the photo portraits, I wanted to make the colours more stark so I made the fur white and the faces brighter pink. I think I managed to maintain the personality of the monkeys’ faces and I also succeeded in my personal challenge to conceal the edges of the collage.
Last week I had ten minutes of art time. Ten. That’s all, folks. In a week that included an unplanned hospital visit, house guests, and a funeral on top of all my usual commitments, obligations, and time suckers, I was not only pushed for free time but also brimming over with stress. I felt like it might just save my sanity if I could find some way to dig out 20 minutes for art. That turned out to be ambitious and I got 10. Knowing I didn’t have time to do anything too involved, too messy, or too detailed, I turned to the Art Journal Adventure prompt and opened up my art journal to a blank page.
The prompt was to feature scallops on the page. Yum. Scallops. I don’t think I have eaten any since I left Scotland. Divine wee morsels that they are. When I thought of scallops as a shape rather than a food, I thought of the way child-like clouds are drawn and that gave me the inspiration for my page. With no time to draw or paint, I quickly cut out some scallop-fringed cloud shapes from old book pages and adhered them to the top of the page. I then added stripes of Neocolor II crayons and outlined the clouds with Stabilo All. Both of these activate with water so I sprayed liberal quantities of water on the page, then tipped up the art journal to let it all run and dribble and drip. And that was my 10 minutes all used up. I left it to dry overnight and was actually fairly satisfied with the result given the (lack of) time and effort invested in its creation. And it just goes to show me that a) I can put together an entire art journal page in very little time indeed if I keep things simple and work efficiently and b) even a little bit of art time can balance out a stressful week.
Miraculously, I managed to complete this week’s Life Book lesson before the weekend. It was one of Tamara Laporte’s lessons on illustrations and whimsical characters, in this case an animal character. I had to improvise with the media used and opted for watercolour and collage. I went a bit too crazy with the background but I think I just about get away with it. My chosen animal was a pig simply because I really like pigs. It isn’t totemic, some sort of spirit animal, but just because I think pigs are smart and adorable. I added wings for an additional touch of whimsy.
Last week’s Life Book lesson was taken by Annie Hamman. I really love Hamman’s paintings and enjoy watching her process but it is a style and methodology I can never get to work for me as I am neither painterly or loose enough in the way I handle paint. I have, therefore, really enjoyed the previous Annie Hamman lessons I have worked on but I always end up with something much more rigid and controlled than the anticipated outcome. This lesson was no exception.
I enjoyed all of the techniques deployed in the lesson, such as painting over collage and painting negative space, but I was neither intuitive or loose enough in my mark making. That’s OK though. That way of creating just isn’t me. What was disappointing was that my choice to use blue for underpainting and layering up the shadows of the face didn’t dissipate enough in subsequent layers and the flesh tones ended up sallow and sickly looking as a result. (Incidentally, the phone photo makes the colours much paler than they are in real life because the light levels have just been so dreary here lately.) I am, however, happy with the negative painting around the antlers, the pushing back of and forward from the collage layer, and the gold of the halo. I think this is another one of those lessons I will attempt again, perhaps in my art journal, as I liked the approach and have hopefully learned something from the underpainting oops.
This week’s Art Journal Adventure prompt was to incorporate a silhouette as part of the art journal page. Some weeks I read a prompt and have no ideas and some weeks I read a prompt and am overwhelmed by too many ideas at once. This was an example of the latter. There were so many ways I could have taken the idea of a silhouette.
I had a page already underway in my art journal that was going nowhere in particular but where I had plonked a wine label slap bad in the middle. I had actually intended to glue the wine label into my rainbow themed art journal but I guess I was rushing and it was late at night so it ended up in my regular art journal. There were also some scraps of text paper already adhered to the page, leftovers from some other project. I decided that should be the background of my silhouette page. But then I realised that the wine label would likely end up completely covered up. That was when I decided I would create a reverse silhouette with the surrounding area being black and the chosen shape emerging in negative rather than positive.
Something you may not know about me is that I love sharks (and whales). It has been a lifelong thing. I would actually dearly love to dive with sharks but its the claustrophobia of scuba gear underwater that deters me. Despite the fact – or maybe because – I doodle sharks frequently, a shark has only put in one solitary, rogue shark appearance in my art journal. It was a messy collage of torn paper that resulted in a rather dorky looking shark. After adding a light paint layer over the collage, therefore, it was just a case of quickly drawing out a shark silhouette shape and then painting black into the negative space. Quick and easy.
For this week’s Life Book lesson, the tutor was Effy Wild. The visual elements of the lesson were connected to some introspection but I mostly choose to gloss over the more art therapy aspects of Life Book and just focus on the art. I also did not have time to view the video demonstrations so I relied on the accompanying PDF to provide me with an understanding of the steps involved. As always, my finished outcome looks little like that of the tutor but I utilised techniques and approaches that she demonstrated. I think the finished treeis reminiscent enough of a plump baobab tree that I wish I had thought of the resemblance sooner in the process and made it completely like a baobob. It was at its core an exercise in patchwork collage and negative space. I used bronze paint over the collage layer for the tree trunk and gold for the leaves so that it would glint in the light and because I look for any excuse to use metallic paints. The tutor’s version incorporated text. I wasn’t feeling that way inclined but do feel my piece lacks a focal point. I just need to ruminate on it for a bit and return to it once I have an appropriate epiphany.