Pale Girl

This blog has gone a little dormant generally. What with the pandemic and all, I just have not been up to enough in my life that generates blog fodder. This blog has, however, gone especially quiet when it comes to my art dabbling. That is not for the lack of art in my life, however. On the contrary, I have been drawing near daily since June. I have been sharing the results of a personal challenge (illustrations of vintage photos) and now Drawlloween drawings over on my blog that is dedicated to only art. Since all of my art time has been invested in those projects, art journaling has been placed so much on the back burner that it is stone cold. While I intend to take a break from daily drawing, I am going to return to art journaling in order to keep up with regular practice and stop those creative gears seizing up from rust.

Draw This in Your Style (DTIYS) challenges on Instagram seemed like a good way to get back into playing around and experimenting in my art journal. The subject matter and composition is all set for me so I just need to – like it says on the tin – draw it in my style. I thought I would have a crack at a recent art work by Behemot titled “Pale Girl and Very Suspicious Cat”, not least because the monochromatic palette appealed to me aesthetically and in terms of time management. I am pleased with my version of the Pale Girl. I think my illustration shares DNA with the original but is very clearly my style. It is a fun challenge to translate digital art into analogue so I am going to seek out a few more of those I think.

Pale Girl

Van Gogh Immersive Experience

Early evening on the first Sunday in November, we headed to Upper Darby’s historic Tower Theater. The purpose of our visit was to go to the Van Gogh Immersive Experience. We had booked tickets in the Spring hoping we would feel confident enough to attend an indoor event safely. We took the chance and crossed our fingers because Van Gogh is our 16 year old’s favourite artist and the Experience was coming to the Philly area around the time of his birthday.

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The first half of the Experience was engaging and interesting. There were three-dimensional objects on which projected images were moving, replicas of Van Gogh’s works, and well-curated information boards. I actually learned a couple of things about Van Gogh that I had not previously known – that he was very possibly colour blind and that the reds in his paintings have disappeared over time because of the degrading of the particular pigment he used. Had this section been the sum total of the Experience, however, I would have been disappointed. It was an attractive and appealing way to present information but would not have justified the ticket price.

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The second half of the Experience, however, was utterly mesmerizing. A large room had images being projected on all four walls and on the floor. The changing images told the story of Van Gogh’s life as an artist, conveyed something of his emotional and mental state, and showcased the imagery of his paintings. I thought the almond blossom section was especially aesthetically pleasing while the crows in the wheatfield were emotionally stirring and the Starry Night was evocative.

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My husband and two youngest sons plonked themselves in deckchairs and enjoyed the entire show from that vantage point. Our 16 year old loves the movie ‘At Eternity’s Gate’ so he popped in his earbuds and listened to the soundtrack of that film throughout his visit – though there was a lovely soundtrack accompanying the imagery. He was definitely into the “immersive” aspect of our time there. He most certainly did not appreciate me breaking into his bubble to take his photo or talk to him. Meanwhile I chose to wander around and see what things looked like from different perspectives in the room. I also enjoyed looking around the room and seeing the sunflowers and crabs and branches being projected onto the floor flitting across all of the other visitors.

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There was an option to extend the “immersion” by doing a virtual reality activity. There was an extra cost involved but it was not too steep. The boys were not keen enough on the idea, however, to want to queue up for a turn plus we were all getting hungry so we did not opt into that. We really enjoyed the Van Gogh Immersive Experience. This type of event was a first for me and I would certainly be keen to visit others with a similar approach. It’s just a different way of engaging in a subject.

Rainbow Art Journal – Head in the Clouds

The next page in the blue section of my Rainbow Art Journal was an almost blank slate. Apart from some small scrapings of leftover blue paint, all it contained was a wine label containing the word “Wonderful”. That label became my starting point for constructing a column comprising odds and ends of washi tape. The column then became the herma-esque body form for a female figure. Having painted the background a solid blue, I decided her hairstyle should take the shape of a simplified cloud. I think she has emerged with a bit of a silent screen actress look.

63 - Head in the Clouds

Forest Creature

This is a quick illustration I created with the contents of this month’s Art Snacks box. I received a very chunky black alcohol marker which presented me with quite the challenge. I am definitely a fan of fine line pens and have accumulated quite a collection of them. I am not very adept at using anything with a broad tip – nor am I very capable with alcohol markers for that matter. My solution was to draw a chubby little character with the marker. I don’t know why I thought to give him branches or antlers sprouting from his head but that choice led me to leave negative forms on his belly in the shape of leaves. Now white gel pens are something I love. Every single one of my pencil cases contains at least one Uni-ball white gel pen. I perhaps went a little over the top with the white pen details but I do like the effect on the antlers in particular.

Forest Creature - Art Snacks June 2021 - 2

Rainbow Art Journal – Air Sprite

This next page in the blue section of my Rainbow Art Journal was actually created back in February. It was made with the contents of that month’s Art Snacks box. I received blue and green products so I decided to produce an illustration of an Air Sprite. The blue of her clothing is an acrylic ink and the colour of her hair was actually produced by diluting the pigment from a metallic green marker. That same marker has a nib that produces dots of varying sizes depending on the pressure placed on it. As you can see, I had a lot of fun creating those dots.

62 - Air Sprite

Rainbow Art Journal – Skeleton Whale

Having just committed to getting back into the swing of making regular time for art and sharpening my skills again, I quickly lapsed because of a nigh impossible schedule. I literally had to make a spreadsheet titled “Schedule Hell” in order to navigate all of the many schedule clash problems I had to resolve. Essentially I need to be able to clone myself or develop teleportation. Since I suck at STEM, I just get to be burned out from the stress of having to be in multiple places at once.

Anyway, this is the page I managed to complete in my Rainbow Art Journal because the blue background was ready and waiting for me. This background is the result of painting leftover acrylic from other projects onto the page in a haphazard way. Since I enjoy drawing inaccurate skeletons, I decided to attempt a whale. The proportions are actually wackier than even I intended but that’s OK.

61 - Skeleton Whale

Rainbow Art Journal – Lighthouse

I feel like I have been working on my Rainbow Art Journal for an eternity. I definitely work on this project in fits and starts with long periods of neglect. Deciding it was time I got those mixed media muscles working again, I cracked open my Rainbow Art Journal and play around with some acrylic – a medium I have not used in months.

I am still malingering in the blue section of the Art Journal. I don’t think I am even half way through the pages yet but finally getting to the end of the blue section will, I suspect, feel like movement*. Blue often makes me think of sea and sky so that is what inspired this illustration of a lighthouse. It did not take me long to recognise the extent to which my painting skills have atrophied due to an extended period of not practicing. The results are ugly. It’s a very rough and patchy page and my lines are very wonky and wobbly, even by my own standards. It was tempting to give everything an additional coat of paint and start over but a) I did not have the time available and b) I figured it would be a place marker in my Art Journal, demarcating where I returned to the project and started over, and therefore provide a measure of the progress I can make from this point forward.

60 - Lighthouse

*A check of my blog reveals that I embarked on the blue section in September of last year. Even more staggering is the fact that I started the whole Rainbow Art Journal in January of 2017. I really am tortoising my way through this project!

New Growth

This small illustration was created using the contents of my April Art Snacks box. There was a mechanical pencil, a black pen with a very fine point, a green alcohol marker, and a brown brush pen. I did not get along well with the brush pen at all – possibly user error – until I decided to use it as watercolour by squeezing some pigment out onto a palette and then picking it up with a wet brush. Once I did that, I really liked the way I could layer warm brown tones.

My Inner Critic is loud and brutal so I often only see the flaws in my art work. However, I actually really like this illustration and I am very happy with it.

Art Snacks - April 2021 - 2

Squiggles and Blobs

This was what I created with the contents of my March Art Snacks box. I am not a fan of coloured pencils. It’s a bit of a chicken and egg situation as I don’t know whether I am bad at using them because I don’t like them or whether my ineptitude with them has led me to dislike them. Despite the fact the pencil leads were buttery smooth, I still could not achieve a neat finish. I am as scribbly with the pencils now as I was when I was a wee girl. Still, sometimes it is as useful to be reminded of what media you don’t enjoy as which you do like to use. The squiggles in the background did not start out as purposeful mark making. The nib of the black marker was very flexible – the type that would lend itself to calligraphy – and I let it slip when I was attempting a straight line. I just had to lean into it and channel my inner Bob Ross and allow squiggles to be a feature in the background. Once I had added background squiggles, it seemed necessary to balance those out with blobs made with the paint pen.

Art Snacks - March 2021 -2

Green and Ochre

In addition to my Post-It note drawings, the other art I have been trying to keep up with is the monthly challenge of creating an illustration using only the contents of that month’s Art Snacks box. Each box arriving in my mailbox was a useful prod to get me to set aside some time for art. It helped that most of the products in recent boxes have been portable so I have been able to create art on the go.

This was what I created with the contents of my January box. I really liked the grey fine liners. As you know, I use black ink pens a lot but I was glad to have grey pens to add to my case of drawing pens. The green has not photographed well but it is actually metallic with a pleasing shimmer. I didn’t find that ochre colour appealing at first glance and never would have chosen that colour in a store but, once I used it, I actually found I really quite liked it. Green and orange are both colours I overlook when I am drawing so it is sometimes useful to have a nudge to create with those neglected colours.

Art Snacks - January 2021 - 2