Have I mentioned (more than a zillion times?) that I am over Winter and yearning for Spring? A couple of weeks ago, I saw a rabbit bound across my yard and I thought that was a sure sign. Turns out that bunny was just a dimwit who needed to stay in his burrow a bit longer. I also noted that our daffodils were sprouting out of the dirt. That was another hopeful sign. Then the shoots got buried under a foot of snow. Spring has to be soon though. It has to.
My latest art journal page was, therefore, inspired by thoughts of Spring. The Art Journal Adventure prompt was S which fitted perfectly with my intention of creating a Spring themed art journal page. The idea is a personification of Spring waking from a slumber and starting to bloom. I must confess that this was a far better idea in my head than translated on the page. I had to work in a whole load of small rations of time which certainly did not help in terms of cohesion and the fact that I rushed through some of the elements is very visible. I like the idea, however, and might return to it when I have more time to accomplish a better execution. I will state that my art work is perfectly straight – it is my iphone photography that is squint.
This art journal page was really an exploration of ways to create visual texture. My inspiration was a painting I did for Life Book last year because I like the visual imagery of flame and ash. I actually thought to take progress shots of this art journal page so I can show the different stages of its creation. I started with a really simple line drawing.
To create the background texture, I scraped some orange paint onto the page with an old hotel room card. I then used that same card to lift up some of the paint from the page so that it created some texture, sort of feathering and ripples. To create the texture on the torso, I painted it black and then layered some red paint over the top. Before the red paint had fully dried, I pressed down some damp paper onto the surface so that it lifted up some of the paint and created a visual texture that I hoped would be reminiscent of charring.
The final element of visual texture was my old friend spatter. I spattered some black and red paint to create the idea of ash and embers floating upwards from the flames.
I liked the effect of all of the techniques I used in this page. It might be a bit much that I used them all at once but maybe it works for my thematic purposes. I am definitely pleased that the finished page still resembles my initial sketch as that has not always been the case.
On Friday, I went to work wearing a raincoat and carrying an umbrella since a rainstorm was forecast for the weekend. However, while I was at work, snow started to fall. I left work in a blizzard. Thankfully my kids were already on an early dismissal (I cannot remember the last time they were in school for an entire five day week) so two were already home and two I picked up on my way home from work. Just as we walked through the door, hoping to get cosy, looking forward to a steaming cup of tea, the power cut out. And it stayed out. From 2pm on Friday until 1am on Sunday, we had no power whatsoever. No light and no heat is pretty miserable in Winter. We kept ourselves occupied with board games and reading by candlelight. However, my 21st Century kids started to miss screens and WiFi after a mere 12 hours and things were rapidly descending into ‘Lord of the Flies’ territory. Thankfully the power came back on before they started sharpening sticks.
Since I could not do laundry, cook complex meals, or run the vacuum around, I found an unexpected ration of time to spend on art. Sure, I could have dusted but you know how I like to sacrifice dusting so I can get in some art time. I decided to work on last week’s Art Journal Adventure prompt which was simply the letter W with an additional option to use shiny, shimmery or sparkly media. Perhaps it was because I had just illustrated a vampire on the previous page of my journal, but I was in a monster mood. That said, when am I never in a monster mood? For me, therefore, W was for Werewolf and I set about drawing one in ink as the sun slipped towards the horizon and the house became gloomy in the dwindling light. It seemed apt for the subject but drawing in the dark is hard on the eyes. I added the diluted ink and watercolour by candlelight while my fingers shook in the cold. Amazingly, despite the circumstances, the illustration turned out to be completely acceptable. I hope, however, to not be doing too much future art in the cold and dark. I am SO done with Winter!
We are almost at the end of this week and yet I have only just completed a page for last week’s Art Journal Adventure prompt. Of course, participating each week is not compulsory and there are no deadlines and I can even skip weeks. I am part of this group simply because a weekly prompt reminds me to at least try to find the time to play around in my art journal. For that reason, however, I really notice when I don’t get around to responding to a week’s prompt. It means I have not even managed to find some little slivers of time, a ration in my week, in which to crack open my art journal and splash some media around. It is a sure fire sign that my life has been too over-scheduled and too hectic when I don’t even find the time to dash off a quick 15 or 20 minute piece of art on a journal page. Ironically, it is when I am most stressed and over-stretched that I need art most as a means to slow down and decompress. Funny how that works.
The prompt I have been trying to find time for is the letter D. I ended up with D standing for Dracula. The Dracula who emerged on my page definitely has the look of Count Orlok of ‘Nosferatu’ rather than Bela Lugosi’s more suave vampire. I actually have a tendency to draw Orlok over Dracula when it comes to vampires, despite my love for the classic Universal monster movies. It was Orlok who appeared in my 2016 Inktober sketchbook and in my altered book of monsters. Maybe I should challenge myself to depict the dapper Dracula next time I am in the mood to draw a vampire. I am not entirely happy with this journal page as far as the art goes – my vampire looks a bit too much like a house elf – but I am happy I finally managed to get some art time.
Maybe it was because I recently collaged a lobster into an art journal page or maybe it is my fondness for all things monstrous, but the next subject in my Rainbow Art Journal turned out to be a Lobster Girl. It’s the page where I am transitioning between red and orange so I guess that combination of colours sparked my imagination and set it off in that direction. Whatever the inspiration, when I put pencil to paper, this was the illustration that emerged.
I find I am going long stretches at the moment between creating any art. Life is just getting in the way too much plus I am also still (!) a little wiped out by that post-viral fatigue thing. I am a happier, more balanced person when I have regular doses of art time so this is not a good state of affairs. All I have just about manage to keep up with is cracking open my art journal about once a week, usually on the weekend. I need to eke out a decent chunk of art time soon. I am getting artsy-antsy.
Last week’s Art Journal Adventure prompt was Love/Hate since it was Valentines Week. I happen to loathe Valentine’s Day but I decided to go with the love them rather than the hate option. Let’s focus on the positive. My starting point was to adhere a Valentines theme paper napkin left over from my preschool class party onto the page to create the repeated pattern of love hearts. Then the page sat like that for days since I could not find the time. My original plan was to draw a figure on the page and do some sort of negative shape painting shebang and, if you look closely, you can still see the pencil marks since I could not erase them. I decided to be pragmatic about my available free time so I instead chose to paint a beetle so that it could be a Love Bug. It does not show up at all well in the photograph but I used pearlescent and metallic paints in order to suggest the shiny carapace of a beetle.
It is not a great art journal page by any measure but it isn’t one that makes me want to tear the page out of the book or gesso over it either. Fingers crossed that I can find a bit more time for art in the next week or so.
This has been a horrible winter. It has not actually snowed much but instead we have had to contend with various pestilences and too many rainy, miserable weekends. While I do enjoy hibernating a bit over winter, cabin fever definitely set in. I desperately needed some fresh air and exploration for the sake of my mental wellbeing. This past weekend, therefore, we took advantage of a dry day to go and visit the Grounds for Sculpture in Hamilton, New Jersey. We had previously attempted a visit there but it was Labour Day weekend and all of the tickets for the day were gone by the time we arrived. This time we prebooked to be assured of entry, though in reality it was pretty quiet.
The Grounds for Sculpture is essentially an outdoor exhibition space for sculptures by a variety of artists. The museum was founded by artist Seward Johnson. I must confess that his was not a name I knew but it turned out I did know some of his sculptures. The one most people can probably recall to their mind’s eye is ‘Double Check’ which depicts a seated businessman looking through his briefcase. It was captured in an iconic photo of 9/11 as, covered in dust and debris, it looked no different from the real people making their way through the streets after the towers collapsed. A replica of that statue greeted us as we entered the Visitor Center.
The Visitor Center showcased some of Johnson’s other works too, such as his Marilyn Monroe based on the famous photo of her from ‘The Seven Year Itch’, a group of musicians, and a styrofoam sculpture of a reclining girl that was painted to look like it was made from marble and chrome. What was a big hit with the boys, however, was a room made to look like Van Gogh’s painting of his ‘Bedroom in Arles’. We all enjoyed the feeling of having stepped inside the painting and be seeing such a famous work from a different perspective.
The vast outdoor space contained hundreds of sculptures. Every pathway brought us to a different art work and we enjoyed the almost “treasure hunt” aspect of finding some of the statues that were partially concealed behind bushes or were only accessible by following a small path. Some statues made the kids chortle, including one of a man urinating into bushes and a very phallic obelisk. I enjoyed the variety of art works on display, from the abstract to the kitsch, from the ones hewn from natural materials to the brightly coloured ones crafted from manmade materials. We all enjoyed the oversized, three dimensional versions of famous Impressionist paintings because of that feeling of being able to magically step inside a painting. We also enjoyed the celebration of kitsch and the fact that many of the statues could be touched and interacted with as adjacent signs specified that they could be respectfully touched or even climbed on. I believe one of the mission statements of the Grounds for Sculpture is to engage more people in public art so it was great to be able to let the kids feel the texture of a bronze sculpture or hang out with Renoir’s party-goers.
The grounds themselves were lovely, very peaceful, filled with trees and plants, and peacocks. There were also some nice buildings dotted around and bodies of water and arching bridges. I can imagine that the whole place looks even more appealing in other seasons when there is more colour and leaves on the trees. Since the Grounds are spread over 42 acres, we had lots of opportunity to wander and run around and explore. However, even though we were there for a few hours, we did not manage to see everything. We will absolutely have to go back some time.