Last week’s Art Journal Adventure prompt was the word “wonder”. I created an art journal page last year that was on the same theme which put me into a bit of creative stasis as I was blocked between having that image in my head and the desire to do something totally different. In the end, I asked my kids for ideas. They looked at me like I had wool for brains. Wonder Woman obviously. Duh. I decided to please my little comic book nerds by attempting an illustration of Wonder Woman. I didn’t want to even attempt copying comic book art so I drew Wonder Woman from my mind’s eye. Happily my sons agreed that I had depicted her costume correctly. Or at least close enough for them to give it a pass. Her proportions are very wacky, not least that massive head, but I kind of like her nevertheless.
An Art Journal Adventure prompt that I missed while on vacation was “Mystery”. I liked how vague that prompt was as it let my creative imagination wander around all sorts of possibilities. Since I was on vacation with no art supplies, I also had time to mull it over. By the time I sat down at my table to create something in my art journal, I had decided that my response would be on the subject of “red herrings”, those distracting clues in many a mystery novel or movie. I decided to make the metaphor literal and illustrate a can full of red herring. Of course, my fish do not resemble herring and are just the product of my imagination but I think the allusion is clear.
One of the reasons I enjoy participating in Life Book is that it exposes me to different techniques, media, and approaches I may not have stumbled across or thought of one my own. This lesson with Jamie Dougherty was one such example. Had I not watched the video, I may never have thought to turn ash into paint. You can see the ash layer was used in the torso of the figure I painted. The whole idea of taking ash and turning it into something new suggested the flame colour palette for the rest of the piece. I am actually really pleased with how this piece turned out. I have managed to find a comfortable balance between my illustrative style and using mixed media techniques. It just feels quite “me”. I may not use ash in my art work again (aside from the messiness, it had my kids turning into pyromaniacs) but I am now inspired to think about other things I might be able to transform into paint.
I am back from vacation (more of which soon!) and am trying to catch up on some of the art lessons and art time I missed out on while travelling. It is impossible for me to catch up entirely so I have determined I will do 50% of the missed lessons and journal prompts. That way it forces me to eke out some art time during this busy summer while not putting me under pressure.
I chose this Life Book lesson because it looked like I could easily fit it into a small chunk of time. I did it in three stages – gesso, drawing, painting – but in total it probably took me about half an hour. In the lesson, Misty Mawn used Picasso’s line drawing of a female head, part of his War and Peace series. Normally I would do my own thing but a) I have always loved this Picasso drawing and b) I needed to just crack on with the art so this time I decided to use the same drawing as my starting point. The drawing – done with Neocolor II crayons – was quick to do. The final stage was also quick and easy as I simply filled in the shapes with white paint, blending the crayon. I usually use Neocolor as a layering element in mixed media pieces or as a sort of watercolour so it was new to me to use them to tint white paint. I think I will use that technique again.
I turned another page in my Rainbow Art Journal and decided to do another two page spread. I am still in the red section of my journal and thought of poppies. I didn’t want to use a monochromatic palette so decided to incorporate some grey and green too but I probably used too much of those and not enough red in the end. Not being very adept at painting flowers, I created the poppy blooms from clippings from magazine pages collaged onto the background. I am pleased with how the hands turned out but otherwise I think this is one of the “blah” pages in my art journal.
I generally try to make do with the art materials I already own but a couple of months ago, armed with a 60% off coupon and a Michael’s gift card, I had a bit of a splurge. I thought I could indulge myself since I was paying next to nothing from my own coffers so I bought a set of Dr Ph Martin’s Hydrus watercolours and a pack of Jane Davenport Mermaid Markers. I had been coveting the Hydrus watercolours for a while. Since I like to use liquid media very wet but also like the pigment to be punchy and bold, I had a feeling the concentrated watercolours would really appeal to me. The Mermaid Markers were new to the market but I thought they might make for a good portable art supply and treated myself to them too.
Despite being a hyper organised control freak, I am not one of those people who makes up palette cards for each medium they own. I tell myself I will make time to do it and yet somehow I just never do. I did, however, think that my Rainbow Art Journal might be just the place to make a record of some of my media and what the colours look like on paper. This page in the red section of my Rainbow Art Journal is the first of these. The product name of the Mermaid Markers initially gave me the idea to illustrate a mermaid; however, I had just been listening to Stravinsky’s Firebird the day before so I decided to draw a sort of harpy, woman-phoenix hybrid, using the markers and some of the Hydrus paints. I worked quickly and loosely as a challenge to myself and because I really wanted to focus on playing with the media. The mermaid marker is super juicy and richly pigmented. If all the other colours are the same then I can definitely see those being a handy portable art resource. The Lobster colour is a bold primary red so I used a lot of that in this illustration. The hydrus colours added a bit more variety as the cadmium was a red leaning towards orange and the rose had a little blue in it I think to make it more purplish. The three reds, therefore, provided me with enough variety on this page that I did not feel the need to add any other media except for a little black ink for details such as the face and the talon fingers.
This week’s Life Book lesson was taken by Tracy Verdugo and involved creating a self-portrait. Verdugo actually demonstrated three different approaches to painting a loose self-portrait and each looked interesting and like something I would like to try (though maybe not using my own face over and over). She also based her paintings on selfies she had edited using various apps. I don’t have any photo editing apps on my phone and did not have time to download and experiment with them so I just used an unedited selfie as the basis of my painting.
I did start out very loose, using ink to block in certain shapes and areas before dropping very liquid watercolour into the painting, but somewhere along the line things ended up getting very illustrative and tight again. No matter what I do, I always seem to get “locked in” when painting even when I am trying my hardest to stay loose – such as, for instance, using large brushes as I did with his piece. It is also not a strong likeness and I guess that is OK because I am not a portraitist but it is still a bit ridiculous that I don’t know my own face well enough to capture it more accurately. In this self-portrait, I think what particularly went wrong is that I reduced the area of my forehead (which is so big I call it a fivehead) and I slimmed down my cheeks. Maybe I was subconsciously flattering myself.